Dressmaker Guide
How Cutting Works in Dressmaker
Learn how to place Pattern panels on Fabric, follow grain direction, handle bias-cut pieces and avoid mistakes before assembly.
Game data build 25482629. Panel counts, grain directions and cloth estimates on this page are read from the game.
Where cutting sits
Cutting in the Dressmaking Flow
Cutting sits between buying the cloth and getting dressed on the mannequin. It is also the last stage before a mistake stops being free to undo.
- Sketchbook
- Buy Fabric
- Cut — You are here
- Assembly
- Sewing
A cut is an upstream decision
Assembly is where the pieces are placed on the mannequin and sewing is where they are joined. Neither stage chooses what the pieces look like — they were already decided when the panel was laid on the cloth. That is why a panel cut the wrong way round is not something sewing can straighten out later.
The catalogue publishes 178 patterns, 236 construction variants and 1871 panels between them. Every count and example on this page is read from those rows.
The pieces
What Is a Pattern Panel?
A Pattern is not one shape. It is one or more individual panels, and each panel becomes a separate piece cut from Fabric before the garment is assembled.
So the unit that gets cut is never the pattern. It is the panel: one flat piece of cloth per panel, cut out, returned to the inventory and taken to the mannequin later. A pattern with four panels needs four pieces before assembly can start.
A real pattern, read from the data
Short Puffed Sleeve
Sleeve · Variant 1
- Panels
- 4 panels
- Bias cut
- 2 bias-cut panels
- Grain directions
- Mixed grain directions
- Cloth estimate
- 0,33 m cut
Every panel in Variant 1
Largest share of the cut first. The share is of this variant's own cut, not of the whole dress.
| Panel | Grain | Bias cut | Share |
|---|---|---|---|
| Unnamed panel 1 | Straight grain | Not bias cut | 41% of the cut |
| Unnamed panel 2 | Straight grain | Not bias cut | 41% of the cut |
| Left Sleeve Cuff | On the bias | Bias cut | 10% of the cut |
| Right Sleeve Cuff | On the bias | Bias cut | 10% of the cut |
Panel names are the game's own where it publishes one. Panels the export leaves unnamed are labelled as unnamed rather than given a name the game never had.
Step 1 — the variant
Make sure you are cutting the right Variant
Different Variants of the same Pattern can use different panel layouts, panel counts and Fabric amounts.
A Variant can change the actual pieces you need to cut.
It is easy to read a variant as a cosmetic choice — a longer sleeve, a different neckline. On this pattern it is not: the two variants cut a different number of pieces, one of them cuts panels on the bias and the other does not, and the cloth estimate moves with them.
| Variant | Panels | Bias cut | Grain | Cloth |
|---|---|---|---|---|
| Variant 1 | 4 panels | 2 bias-cut panels | Mixed grain directions | 0,33 m cut |
| Variant 2 | 2 panels | No bias cut | Straight grain | 0,21 m cut |
Before the first cut, three things have to be right
- The Pattern is the one the dress needs
- The Variant is the one you meant to cut
- The Fabric is the one you chose
The variant is one click away from the pattern's own page, which prints the same numbers this table does.
Step 2 — placement
Place the Pattern panels on your Fabric
Every panel has to come off the cloth. Laying the pieces out is the step where the pattern meets the material, and where the cloth you paid for turns into parts.
In the cutting room the fabric is the surface: the pattern pieces are dragged onto it, one at a time, and each one is cut from a spot on that cloth. This is also where the fabric choice starts to matter beyond how it looks — the cloth assigned to a panel is the cloth that panel carries into the assembled dress, for its color and for its Style contribution.
Placement decides more than the cut
The Fabric assigned to each panel also matters later for color and Style calculations. That is a separate guide's subject; here it is only worth knowing that the choice travels with the piece.
How Style Scores are calculatedStep 3 — the grain
Follow the grain direction
Each panel can have a required grain direction. Laying the piece the right way round is what preserves Grain Quality.
Cloth has a grain — the direction its threads run in. A pattern piece has a grain line of its own, and it is meant to sit along that direction rather than across it. The game asks for the grain line to be aligned with the horizontal grain of the cloth, and a piece that is rotated away from it is a piece that was cut across the material.
Fabric grain
Aligned
The piece's grain line runs along the cloth's grain.
Fabric grain
Misaligned
The same piece rotated across the cloth. It still cuts, and it is still the right shape.
How the catalogue is laid
Across all 1871 panels: 1753 laid straight, 37 across and 81 on the bias.
Grain is not cosmetic
Aligning the grain gives a higher-quality garment. Grain is one of the things a finished dress is scored on, so the panel you rotated to fit in a corner is a panel that costs quality later.
Grain still looks wrong? Dragging, rotating and re-aligning a piece is a Help page, not a Guide page.Grain Line Help
Construction
What does Bias Cut mean?
Some Pattern panels are specially marked as bias-cut pieces and should be treated according to that panel's own cutting orientation.
Bias cut is a construction characteristic of a panel, not a different kind of cloth. It says the piece is meant to sit diagonally across the weave rather than along it, which is a real tailoring move — a cuff cut on the bias behaves differently from one cut straight. The flag is set per panel, so it is normal for a variant to mix the two in one cut.
77 panels across the catalogue carry the bias-cut flag, on 23 of the 178 patterns.
Two fields, not one
The bias-cut flag is the game's own per-panel marking. The grain direction is a reading of the direction the panel is laid in. They agree almost everywhere and are not the same field — 81 panels are laid on the bias by their grain direction while 77 carry the flag. This page shows both as published rather than merging them.
Bias does not have its own cost
The game's cloth estimate carries no separate bias term. A bias-cut variant costs more or less cloth because of the panels it cuts, not because of the flag — so do not expect a premium for the bias and do not expect a discount for avoiding it.
Step 4 — the cut
Cut each required panel
One piece at a time, then again for the rest.
- Place the panel on the cloth
- Check its grain direction
- Confirm the fabric under it
- Cut the panel out
- Return the piece to the inventory, then take the next panel
Before you cut
- Correct Pattern
- Correct Variant
- Correct Fabric
- Panel fully placed
- Grain direction checked
- Enough Fabric remains
Nothing on that list takes long. Every item on it is cheaper to check than to discover on the mannequin.
Cloth
Why the cloth estimate changes
Pattern Fabric usage comes primarily from the total size of its panels, plus additional allowance associated with cutting multiple pieces.
Those are two different terms doing two different things. The size of the panels is the bulk of it — how much surface the cut actually covers. On top of that, each panel adds a little extra, which is why a cut made of many pieces is charged a little more than a cut made of one piece of the same total area.
More panels can cost a little more
More panels can slightly increase estimated usage because each additional piece carries extra cutting allowance. The difference is small per panel and it does add up across a twelve-piece skirt.
But panel count is not the whole story
A Pattern with fewer but much larger panels can still use more Fabric. A two-piece skirt made of two enormous panels beats a twelve-piece skirt of narrow strips without trying, because the area term is the large one.
The example above shows the same pattern charging 0,33 m cut for the four-panel variant and 0,21 m cut for the two-panel one. Same pattern, same part of the dress, different cut.
What goes wrong
Common Cutting mistakes
Five ways a cut goes wrong, and none of them are about skill with the scissors.
- Cutting the wrong VariantThe pattern was right, but the pieces do not match what assembly expects and the cloth estimate is not the one you budgeted. Verify the Variant before cutting.
- Ignoring grain directionGrain Quality can be lower even if the correct Fabric and Pattern were used.
- Running out of Fabric midwayThe pattern's own estimate was higher than assumed, the variant used more than the base cut, or the quantity bought was short of the estimate. Any of the three leaves you with a half-cut dress.Out of Fabric?
- Cutting the wrong FabricA commission can ask for a Fabric Type or a color composition, and both are decided by the cloth you cut rather than the cloth you looked at. Confirm the selected Fabric before each important cut.
- Assuming every panel is the sameDifferent panels can have different area, grain direction and bias-cut status. A pattern is not N copies of one piece.
Stuck mid-cut
Cutting problems
This page explains the system. When something has already gone wrong in the cutting room, the fix belongs to Help.
The grain line will not line up
Rotating, aligning and re-checking a piece is a different job from understanding why grain matters.
Grain Line HelpNot enough Fabric to finish the panels
Half a dress's worth of pieces cut and an empty roll is its own situation, with its own options.
Out of Fabric HelpCut a panel wrong
A wrong cut is recoverable — the game lets a piece be cut again, and a discarded cut gives its cloth back. The procedure is on the Help page.
Recut a Panel Help
Downstream
What Cutting Affects Later
Cutting is the stage that feeds four different systems at once. That is the reason it is worth doing deliberately.
CutPanel pieces go to Assembly
Each cut panel is a piece the mannequin stage places. Miss one and the dress cannot be finished.
Assembling on the MannequinCutGrain alignment goes to Quality
How the pieces were laid is part of how the finished dress is scored.
Dress QualityCutFabric assignment goes to Color and Style
The cloth behind each panel is the cloth that panel contributes to the dress.
Style ScoresCutCloth used goes to Cost
Every panel cut is cloth spent, at the price of the fabric it was cut from.
Dress Cost Calculator
Next in the workflow
Assemble the Cut Pieces
The panels are cut, returned to the inventory and waiting. Assembly is where they are dragged onto the mannequin, placed in the right spot and sewn together.
Nothing is recut here unless something is wrong. What assembly decides is where each piece sits — and that is the step a misaligned panel finally shows itself in.
Next: Assemble the Cut PiecesWhere to go from here
Guides, tools and help for cutting
The step before this one, the step after it, and the pages that take over when the cutting room is not going well.
About this guide
This page is the Dressmaker cutting guide: how a Pattern becomes panels, how those panels are placed on Fabric, what grain direction means, what a bias cut is, and where cutting goes wrong. It covers the part of the workflow between buying cloth and assembling the dress, using the same panel, grain and cloth numbers the pattern pages publish.
It is deliberately not the cloth-consumption page and not the quality page. Why a pattern needs the amount of fabric it needs, how the estimate is built from panel area and panel count, and how grain ends up inside the finished dress's quality score are three separate subjects with three separate pages, linked from here rather than repeated.
This page is one chapter of the Dressmaker guide, which covers the whole process from the first measurement to the finished dress.